Herman
Melville, as delineated by Elizabeth Renker, is not 'just' a violent husband
and father. Her description depicts a prototypical figure of a totalitarian
dictator who didn't only use brutal violence, but also prevented his wife from
freely corresponding with friends and family, censored her letters, maintained
a strict regime of secrecy (in trivial matters, as if for secrecy's sake), and practically
sentenced her and the children to hard labor (of copying his books). To top it
all, he forbade punctuating, thereby making their toils a jabbered sequence of
no meaning, and leaving for himself the final scrutinizing of their work (by
that, terrorizing them.)
Renker
holds that this violent, obsessive temper of Melville's permeates his writing
and conditions his relation to writing and moreover – to the material aspect of
it which is depicted in book and paper. Her argument is undoubtedly powerful
but her evidence are scarce: none of them is from Melville's masterpiece Moby
Dick, which if anything is totally contradictory to her argument, being so
abundant of the spirit of liberty and egalitarianism.
How
is that gap, between the totalitarian Melville and the democratic Moby Dick, to
be explained? Well, a possible answer might be found in a motif which prevails
in the first part of Renker's essay, as well as in Moby Dick – the interplay
between 'clean' and 'dirty'. In Renker we see it mainly in those scholars and
descendants of Melville who didn't know how to deal with all the 'dirt' they
found on him (Renker's essay in itself is somewhat of a purification act). In Moby
Dick, we have just encountered it in chapter 98 depicting the obsessive cleaning
of the ship after extracting the spermaceti (described as the ultimate
purifier).
This
monomania for cleanliness, the compulsive fear of dirt, may be seen as the line
connecting between the totalitarian – always horrified from the idea of
dirtiness, of imperfection – and the manifest of freedom that expresses the
wish that has become a monomania for purity, for total liberation of all things
impure.
here's a great paper topic: deconstructing dirt/purity in MD. "Ambergris" would be central to such a discussion?
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