The association between women and the blank page as
obstacles and adversaries reminds me of other instances where the color white
is associated with women and mystery, like Wilkie Collins’s The Woman in
White (where a strange woman all in white is encountered at night and is
found to have escaped from an asylum) and the myth (or half myth) of Emily
Dickinson always wearing white for mysteriously symbolic reasons.
Whether the latter is true or not, Dickinson
did associate (wearing) the color white with mystery and knowledge in her poetry, which,
at least in part, does seem to evoke the idea of the writer and the blank page
as well:
(307)
A solemn thing – it was – I said -
A Woman – white – to be -
And wear – if God should count me fit -
Her blameless mystery -
A Woman – white – to be -
And wear – if God should count me fit -
Her blameless mystery -
(761)
From Blank to Blank --
A Threadless Way
I pushed Mechanic feet --
To stop -- or perish -- or advance --
Alike indifferent --
In this light, Melville’s white whale is itself a blank page
which fights for survival in resisting violent inscription, and one might even
ask whether writing is a necessary, natural, and moral act, whether forcing
fiction onto empty space is not violence which will only beget violence,
whether a text determined to conquer the blank page is not a kind of crippled
Ahab doomed to fail in his mad quest?
(761)
If end I gained
It ends beyond
Indefinite disclosed --
I shut my eyes -- and groped as well
'Twas lighter -- to be Blind --
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