The
opposition between content and shape, material and abstract, is really one of,
if not the, most crucial and very long rooted dichotomy which is significant not
only in the philosophically elaborated thinking, but also in the everyday speech
and activity - today maybe even more than ever. Sometimes it would seem like
these days the system of signs has already long ago taken off from its
traditional role of representation, to gain a life of its own. This could be
seen as the by-product, consciously speaking, of spending lifetimes surrounded by
buildings and screens, living by the numbers alone (money, time-o-clock, calories,
etc.)
Melville in "Moby
Dick" surely is very aware of this dichotomy, which of course raises
immediately after it the whole chain of gender, race, religion, social order and
many other motives: the concept of the leader as the one who gives shape and
meaning, channels the material forces of his subordinates. Just like man over nature
– the role given to him by God in the Bible, reflected in his lingual
abilities, his superiority over the animal. Supposedly so – because experiencing
a close encounter with a whale, as suggested here and there especially along contemplative
episodes of the book, might give some people another idea. Yet again, it might
not – and some might see in that animal just another huge bag of money. Still,
some crumbs of dialogical approach might stick, and if not by recognition –
than by the power of Moby Dick (a whale who has a name, a history – a reputation,
hence, personality) to prove his equality very simply, by just refusing to die
by the hands of the killers, who really think they must kill him. And then
again – what is he but a symbol to represent the real whale we are still only
reading about?...
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