I identify strongly with Doris Sommer’s arguments in favor
of multilingual and art-oriented education. I am particularly in favor of
education which stresses creativity much more strongly than is normally done in educational institutions. Not only should multilingualism be
encouraged by the education system, languages, I believe, should be taught mainly
through creative activity, rather than through learning-by-rote routines.
That is, creativity should be a basis for learning and
should be a common subject of study in itself (rather than an obscure academic
discipline in psychology).
Not that other subjects or disciplines should become
devalued. Rather, I think they should be combined with an understanding not
only of art but of creativity in general, combined with a degree of artistic
proficiency, and with the human and social concerns of art (flexibility of
perception, tolerance and what Sommer called admiration, empathy), as a way of
placing these other disciplines in a context which, I believe, is more human
and humane than modern democratic individualist capitalism.
I also think that it should be possible to combine literary
studies with literary practice. That is, I think creative-writing courses
should not be limited to workshops or made into separate departments, but
should form an essential part of any English Department curriculum.
Finally, I think that Moby Dick is not irrelevant to this
discussion: in a sense it is a multilingual text – a collage of different
“languages” of representation and perception, encouraging the kind of thought
processes that Sommer described are the benefits of multilingual individuals
and communities.
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